One of our important goals when we create a work of Donor Art is to ensure that it echoes and enhances the architecture of the building in which it will be displayed. I thought you'd enjoy seeing some examples of installations where the gesture of the carefully crafted exteriors and interiors of the building are reflected in our design for the Donor Art.
This state-of-the-art hospital was designed by architectural partners VOA and OWP/P to be a "family-oriented, feminine building.” To blend seamlessly with the architects' design intent, we used delicately curving, gold-filled ginkgo leaves to adorn a carved-crystal Tribute to the Naming Donor, Abra Rockefeller Prentice Wilkin. The lobby, where the Tribute is installed, feels more like it belongs to a beautiful hotel than a healthcare facility!
To honor Naming Donor Alan Ginsburg and the Ginsburg Family Foundation, we were asked to create a Tribute to Ginsburg's late wife, Harriet, and their son, Jeffrey, for the new Ginsburg Tower at Florida Hospital Cardiovascular Institute. Our freestanding Art Glass Donor Tribute in the lobby of the building echoes HuntonBrady’s award-winning design with its breathtaking circular tower. Our Art Glass Tribute -- a spiral "grove" that visitors can actually walk into -- was awarded first place in the Unique Signs category at the 2009 International Sign Contest, sponsored by Signs of the Times magazine.
Lastly, I want to show you a wonderful opportunity we had to create a Donor Recognition solution for a hospital that was designed by one of the most famous names in modern architecture. In 1962, Edward Durell Stone was commissioned to design a hospital on Monterey Peninsula, one of the world's most beautiful places. He used an iconic pattern of concentric squares throughout the building, both inside and outside. Today, the hospital uses that icon for its logo.
In designing the Donor Recogntion, we wanted to feature imagery that would reflect the community’s love for its natural surroundings and mesh with the iconic design. Along the bottom of the crystal panels, we used floating bars of DNA sequences that mirrored the shape of Stone's decorative squares. In keeping with the Monterey Bay nature theme, we then had those bars morph into patterns of light dappling on sunlit waters where an egret is poised for flight.
As an artist, I find it a real privilege to create designs that enhance the work of truly talented architects.